{"id":48868,"date":"2016-03-14T19:33:00","date_gmt":"2016-03-14T19:33:00","guid":{"rendered":"https:\/\/modernartoxford.org.uk\/cms\/?p=48868"},"modified":"2022-02-24T22:10:35","modified_gmt":"2022-02-24T22:10:35","slug":"the-directors-archive-paul-nash-1974","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/the-directors-archive-paul-nash-1974\/","title":{"rendered":"The Director&#8217;s Archive: Paul Nash, 1974"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"775\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash2-1024x775.jpg\" alt=\"\" class=\"wp-image-48869 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash2-1024x775.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash2-300x227.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash2-768x581.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash2-1536x1162.jpg 1536w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash2-2048x1550.jpg 2048w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash2-1216x920.jpg 1216w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash2-1568x1186.jpg 1568w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/775;\" \/><\/figure><\/div>\n\n\n\n<p>One of the early shows during Nick Serota\u2019s tenure as Director of the then Museum of Modern Art Oxford in 1974 was an exhibition of photographs and a small selection of accompanying watercolours by the British painter, Paul Nash. An exhibition of Nash\u2019s photographs had been shown at Tate Gallery in London the previous summer, prompting Serota to bring them to audiences in Oxford, since some of the photographs were of local landscapes taken by Nash following his move to Boar\u2019s Hill in Oxfordshire after the outbreak of the war.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"611\" height=\"1024\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash3-611x1024.jpg\" alt=\"\" class=\"wp-image-48870 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash3-611x1024.jpg 611w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash3-179x300.jpg 179w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash3-768x1288.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash3-916x1536.jpg 916w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash3-1221x2048.jpg 1221w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash3-549x920.jpg 549w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/nash3.jpg 1438w\" data-sizes=\"(max-width: 611px) 100vw, 611px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 611px; --smush-placeholder-aspect-ratio: 611\/1024;\" \/><\/figure><\/div>\n\n\n\n<p>The exhibition notes for the show, held in our archive, explain that Nash had taken photographs since the 1930s when his wife gave him a No 1A Box Kodak Series 2 camera \u2013 the only camera he ever owned \u2013 using it consistently until his death in 1946. He used the photographs as research and source material for his paintings from the mid-1930s onwards and became increasingly reliant upon them later in his life when his asthma prevented him from working outdoors.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"724\" height=\"1024\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Loan-letter-from-new-director-Nicholas-Serota-724x1024.jpg\" alt=\"\" class=\"wp-image-48871 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Loan-letter-from-new-director-Nicholas-Serota-724x1024.jpg 724w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Loan-letter-from-new-director-Nicholas-Serota-212x300.jpg 212w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Loan-letter-from-new-director-Nicholas-Serota-768x1086.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Loan-letter-from-new-director-Nicholas-Serota-1086x1536.jpg 1086w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Loan-letter-from-new-director-Nicholas-Serota-1448x2048.jpg 1448w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Loan-letter-from-new-director-Nicholas-Serota-650x920.jpg 650w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Loan-letter-from-new-director-Nicholas-Serota-1568x2218.jpg 1568w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Loan-letter-from-new-director-Nicholas-Serota-scaled.jpg 1810w\" data-sizes=\"(max-width: 724px) 100vw, 724px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 724px; --smush-placeholder-aspect-ratio: 724\/1024;\" \/><\/figure><\/div>\n\n\n\n<p>A faded and fragile typed letter dated 17 January 1974 from our archive is a polite fragment of correspondence between Serota and the late surrealist artist Eileen Agar, requesting two works in her private collection for inclusion in the show. Agar met Nash in Swanage in Dorset in the mid-1930s where they began an intense relationship that also led to artistic collaboration. Nash played an important role in her career, recommending Agar to Roland Penrose and Herbert Read who were at that time organising the 1936 International Surrealist Exhibition at the New Burlington Galleries in London. She became the only British women to have work included in that seminal exhibition, which launched her international career.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"724\" height=\"1024\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Correspondence-724x1024.jpeg\" alt=\"\" class=\"wp-image-48872 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Correspondence-724x1024.jpeg 724w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Correspondence-212x300.jpeg 212w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Correspondence-768x1086.jpeg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Correspondence-1086x1536.jpeg 1086w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Correspondence-1448x2048.jpeg 1448w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Correspondence-650x920.jpeg 650w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Correspondence-1568x2218.jpeg 1568w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Correspondence-scaled.jpeg 1810w\" data-sizes=\"(max-width: 724px) 100vw, 724px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 724px; --smush-placeholder-aspect-ratio: 724\/1024;\" \/><\/figure><\/div>\n\n\n\n<p>These archival materials, and their proximity to artists and their lives, never ceases to attest to the importance of these unique records and offers a powerful charge to those of us who have the privilege of handling them as we mark our 50th anniversary.<\/p>\n\n\n\n<p>I chose this exhibition because I wished to highlight that photography has been a consistent strand of our programming since the foundation of the gallery, long before it was recognised by public institutions as of equal status to fine practices like painting and sculpture.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the early shows during Nick Serota\u2019s tenure as Director of the then Museum of Modern Art Oxford in 1974 was an exhibition of photographs and a small selection of accompanying watercolours by the British painter, Paul Nash. An exhibition of Nash\u2019s photographs had been shown at Tate Gallery in London the previous summer,&hellip; <a class=\"more-link\" href=\"https:\/\/www.modernartoxford.org.uk\/cms\/the-directors-archive-paul-nash-1974\/\">Continue reading <span class=\"screen-reader-text\">The Director&#8217;s Archive: Paul Nash, 1974<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":48873,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[93,206],"tags":[],"class_list":["post-48868","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-event","category-the-archive","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Director&#039;s Archive: Paul Nash, 1974 - Modern Art Oxford<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Director&#039;s Archive: Paul Nash, 1974 - Modern Art Oxford\" \/>\n<meta property=\"og:description\" content=\"One of the early shows during Nick Serota\u2019s tenure as Director of the then Museum of Modern Art Oxford in 1974 was an exhibition of photographs and a small selection of accompanying watercolours by the British painter, Paul Nash. 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