{"id":48887,"date":"2016-04-01T19:47:00","date_gmt":"2016-04-01T18:47:00","guid":{"rendered":"https:\/\/modernartoxford.org.uk\/cms\/?p=48887"},"modified":"2022-02-24T22:13:44","modified_gmt":"2022-02-24T22:13:44","slug":"the-archive-hanne-darboven-1974","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/the-archive-hanne-darboven-1974\/","title":{"rendered":"The Archive: Hanne Darboven, 1974"},"content":{"rendered":"\n<p><strong><em>Hanne Darboven exhibited in what was previously known as the Middle Gallery (currently the caf\u00e9 and shop area) at the Museum of Modern Art Oxford between 30 June and 4 August 1974.<\/em><\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"1000\" height=\"736\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/1974-Darboven.jpg\" alt=\"\" class=\"wp-image-48888 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/1974-Darboven.jpg 1000w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/1974-Darboven-300x221.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/1974-Darboven-768x565.jpg 768w\" data-sizes=\"(max-width: 1000px) 100vw, 1000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1000px; --smush-placeholder-aspect-ratio: 1000\/736;\" \/><\/figure><\/div>\n\n\n\n<p>Hanne Darboven (b. 1941, Munich, d. 2009, Hamburg) studied painting at the Hochschule f\u00fcr bildende Kunst Hamburg, under one of the best Op-painters in Germany, Brazilian Almir Mavignier, but left dissatisfied, feeling as though she was seen as just a daughter of a wealthy family.<\/p>\n\n\n\n<p>In New York, living an isolated life in a room in Manhattan, Darboven chanced on meeting Sol LeWitt who after seeing a handful of drawings, insisted on seeing more. LeWitt then offered Darboven her first exhibition, which was held in 1967.<\/p>\n\n\n\n<p>Darboven\u2019s style moved from closed geometric forms to open line formations. Most have a double-sided symmetry in which the lines and figures on one half of the paper are mirroring those on the other. No longer remaining as constructions of line, Darboven edged away from visual traditions, replacing them with numbers, figures and sometimes words.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"811\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-2-1024x811.jpeg\" alt=\"\" class=\"wp-image-48889 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-2-1024x811.jpeg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-2-300x238.jpeg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-2-768x609.jpeg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-2-1536x1217.jpeg 1536w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-2-2048x1623.jpeg 2048w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-2-1161x920.jpeg 1161w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-2-1568x1242.jpeg 1568w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/811;\" \/><\/figure><\/div>\n\n\n\n<p>Instead of using number combinations mathematically, Darboven began to use dates. The sequence of a week, month and a year would create a system. For example, leaving out full stops, 23 October 1971 would be written as 23971, which she would express in either words of figures. In this form, which Darboven called \u201cwriting out\u201d dates, she would find that they led to astronomic sums and writing without an end.<\/p>\n\n\n\n<p>Darboven treated digits not as making up numbers, but in isolation, purely subjective. After elaborately playing with them, her words end up as elementary codes. These \u201cwritten out\u201d totals made visual forms. Darboven was never interested in mathematics itself but rather, she used numbers as a visual pattern and shift, rather than to elicit mystical or mythical associations.<\/p>\n\n\n\n<p>Prior to exhibiting at the Museum of Modern Art Oxford in 1974, Darboven was well established thanks to a string of exhibitions at Konrad Fischer Galerie, Dusseldorf; Art &amp; Project, Amsterdam; Galleria Sperone, Turin and St\u00e4dtisches Museum, M\u00f6nchengladbach.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"811\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-3-1024x811.jpeg\" alt=\"\" class=\"wp-image-48890 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-3-1024x811.jpeg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-3-300x238.jpeg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-3-768x609.jpeg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-3-1536x1217.jpeg 1536w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-3-2048x1623.jpeg 2048w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-3-1161x920.jpeg 1161w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-3-1568x1242.jpeg 1568w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/811;\" \/><\/figure><\/div>\n\n\n\n<p>The exhibition held in Oxford came under the tenure of Sir Nicholas Serota and was previously shown at the Palais des Beaux Arts, Brussels, earlier the same year. On display were 19 minimalist drawings, which together formed one single work. Each drawing was built up of sheets of humble exercise book paper. Darboven gave a U-shape loop for each number. On the first panel, the numbers run across from two to 43, then three to 44 on the next, and so on until the first number is 20 and the last is 61. A pattern emerges as the numbers grow larger and the length of the squiggle extended. The work shows extreme dedication and patience. The overall attempt is to demonstrate the passage of time.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"739\" height=\"1024\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-739x1024.jpeg\" alt=\"\" class=\"wp-image-48891 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-739x1024.jpeg 739w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-217x300.jpeg 217w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-768x1064.jpeg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-1109x1536.jpeg 1109w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-1478x2048.jpeg 1478w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-664x920.jpeg 664w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-1568x2172.jpeg 1568w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Darboven-scaled.jpeg 1848w\" data-sizes=\"(max-width: 739px) 100vw, 739px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 739px; --smush-placeholder-aspect-ratio: 739\/1024;\" \/><\/figure><\/div>\n\n\n\n<p>The descriptive text handed out alongside the exhibition explained, \u201cIn an ideal situation, they would be exhibited in a continuous line, frame to frame. We regret that the architecture of the Museum does not permit such an arrangement\u201d. Correspondence found in the Modern Art Oxford archive reveals that the ideal layout was also not achieved in the earlier exhibition in Brussels. If the 19 drawings were to be shown in a line, a repeated wedge shape would stretch out over the expanse of paper.<\/p>\n\n\n\n<p>As is clear from the surviving press installation photographs of the exhibition, which show 14 of the drawings, the large, metal-framed drawings were presented on side-by-side whitewashed brick walls, with junctures at the corners of the gallery space.<\/p>\n\n\n\n<p>Taken from original documents in the Modern Art Oxford archive.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hanne Darboven exhibited in what was previously known as the Middle Gallery (currently the caf\u00e9 and shop area) at the Museum of Modern Art Oxford between 30 June and 4 August 1974. Hanne Darboven (b. 1941, Munich, d. 2009, Hamburg) studied painting at the Hochschule f\u00fcr bildende Kunst Hamburg, under one of the best Op-painters&hellip; <a class=\"more-link\" href=\"https:\/\/www.modernartoxford.org.uk\/cms\/the-archive-hanne-darboven-1974\/\">Continue reading <span class=\"screen-reader-text\">The Archive: Hanne Darboven, 1974<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":48892,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[93,207],"tags":[],"class_list":["post-48887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-event","category-the-archive-2","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Archive: Hanne Darboven, 1974 - Modern Art Oxford<\/title>\n<meta name=\"description\" content=\"Discover the story of Hanne Darboven&#039;s exhibition at Modern Art Oxford in 1974, alongside photographs from the gallery archive.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Archive: Hanne Darboven, 1974 - 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On display were 19 minimalist drawings, which together formed one single work. Each drawing was built up of sheets of humble exercise book paper."},{"@type":"WebSite","@id":"https:\/\/www.modernartoxford.org.uk\/cms\/#website","url":"https:\/\/www.modernartoxford.org.uk\/cms\/","name":"Modern Art Oxford","description":"Just another WordPress site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.modernartoxford.org.uk\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Person","@id":"https:\/\/www.modernartoxford.org.uk\/cms\/#\/schema\/person\/5e1ae1f6dcc48ef814137d0d6f1a1422","name":"focusadmin","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/f3bc5d016864bac687500ee383e0cb8f50f800ad46a6943c3a9ec653c89f9e14?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/f3bc5d016864bac687500ee383e0cb8f50f800ad46a6943c3a9ec653c89f9e14?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f3bc5d016864bac687500ee383e0cb8f50f800ad46a6943c3a9ec653c89f9e14?s=96&d=mm&r=g","caption":"focusadmin"},"sameAs":["http:\/\/mao.local.test\/cms"],"url":"https:\/\/www.modernartoxford.org.uk\/cms\/author\/focusadmin\/"}]}},"_links":{"self":[{"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/posts\/48887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/comments?post=48887"}],"version-history":[{"count":1,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/posts\/48887\/revisions"}],"predecessor-version":[{"id":48893,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/posts\/48887\/revisions\/48893"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/media\/48892"}],"wp:attachment":[{"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/media?parent=48887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/categories?post=48887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/tags?post=48887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}