{"id":48954,"date":"2016-06-14T20:54:00","date_gmt":"2016-06-14T19:54:00","guid":{"rendered":"https:\/\/modernartoxford.org.uk\/cms\/?p=48954"},"modified":"2022-02-24T22:10:57","modified_gmt":"2022-02-24T22:10:57","slug":"the-directors-archive-bill-woodrow-1983","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/the-directors-archive-bill-woodrow-1983\/","title":{"rendered":"The Director&#8217;s Archive: Bill Woodrow, 1983"},"content":{"rendered":"\n<p>Bill Woodrow\u2019s solo presentation at the Museum of Modern Art Oxford in 1983 provided an opportunity to look at the artist\u2019s recent work as a way to engage with a new generation of sculptural practice arising from the highly influential St Martin\u2019s School of Art. At that&nbsp;time it had been the seedbed of new developments in British sculpture for more than 20 years.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"834\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Long-distance-Information-1983-1024x834.jpg\" alt=\"\" class=\"wp-image-48956 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Long-distance-Information-1983-1024x834.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Long-distance-Information-1983-300x244.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Long-distance-Information-1983-768x626.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Long-distance-Information-1983-1129x920.jpg 1129w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Long-distance-Information-1983.jpg 1306w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/834;\" \/><\/figure><\/div>\n\n\n\n<p>This exhibition presented works from the late 1970s onwards, showing the movement away from the artist\u2019s large photographs dissected with material objects represented within the images, through to his development of sculptural forms, taking every day objects such as vacuum cleaners, tape-recorders, washing-machines, bicycle frames, kettles and furniture, as a point of departure. &nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"680\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Crow-and-Carrion-1981-1024x680.jpg\" alt=\"\" class=\"wp-image-48957 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Crow-and-Carrion-1981-1024x680.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Crow-and-Carrion-1981-300x199.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Crow-and-Carrion-1981-768x510.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Crow-and-Carrion-1981.jpg 1172w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/680;\" \/><\/figure><\/div>\n\n\n\n<p>Woodrow\u2019s characteristic method of making sculpture was to form new objects from the skin of a found domestic appliance in such a way as to leave evidence of the original identity of the&nbsp;item as well as the mode of transformation, creating a kind of three-dimensional drawing to the concept and process.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"300\" height=\"161\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/Woodrow-Note-300x161-1.jpg\" alt=\"\" class=\"wp-image-48958 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/161;\" \/><\/figure><\/div>\n\n\n\n<p>I&#8217;ve chosen this exhibition partly due to my admiration of Woodrow and in recognition of his influence on British sculpture at this time.&nbsp;But it also represents the way in which the gallery\u2019s programme has often provided a lens on much wider developments in art, in this case, contemporary British sculpture, through a careful selection of an individual artist whose work allows major developments in media to be engaged with by a wide audience.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bill Woodrow\u2019s solo presentation at the Museum of Modern Art Oxford in 1983 provided an opportunity to look at the artist\u2019s recent work as a way to engage with a new generation of sculptural practice arising from the highly influential St Martin\u2019s School of Art. At that&nbsp;time it had been the seedbed of new developments&hellip; <a class=\"more-link\" href=\"https:\/\/www.modernartoxford.org.uk\/cms\/the-directors-archive-bill-woodrow-1983\/\">Continue reading <span class=\"screen-reader-text\">The Director&#8217;s Archive: Bill Woodrow, 1983<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":48955,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[93,206],"tags":[],"class_list":["post-48954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-event","category-the-archive","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Director&#039;s Archive: Bill Woodrow, 1983<\/title>\n<meta name=\"description\" content=\"Paul Hobson discusses Bill Woodrow\u2019s exhibition at 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