{"id":48966,"date":"2016-07-14T21:04:00","date_gmt":"2016-07-14T20:04:00","guid":{"rendered":"https:\/\/modernartoxford.org.uk\/cms\/?p=48966"},"modified":"2022-02-24T22:11:04","modified_gmt":"2022-02-24T22:11:04","slug":"the-directors-archive-philip-guston-1989","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/the-directors-archive-philip-guston-1989\/","title":{"rendered":"The Director&#8217;s Archive: Philip Guston, 1989"},"content":{"rendered":"\n<p>I am a great admirer of the American artist&nbsp;Philip Guston (1913-80)<strong>,<\/strong> and I have been looking again at his extraordinary body of work recently in light of the mood and temperament of our own turbulent times.&nbsp;Guston\u2019swork seems to me to resonate with the anxiety of contemporary society.&nbsp;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"793\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1024x793.jpg\" alt=\"\" class=\"wp-image-48972 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1024x793.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-300x232.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-768x594.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1189x920.jpg 1189w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001.jpg 1279w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/793;\" \/><\/figure><\/div>\n\n\n\n<p>The major exhibition of his drawings at Modern Art Oxford in 1989 was curated by Magdalena Dabrowski from the Department of Drawings at New York\u2019s Museum of Modern Art and comprehensively covered five decades of drawings by Guston, who considered drawing central to his creative work.&nbsp;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"772\" height=\"1024\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0002-772x1024.jpg\" alt=\"\" class=\"wp-image-48971 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0002-772x1024.jpg 772w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0002-226x300.jpg 226w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0002-768x1019.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0002-694x920.jpg 694w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0002.jpg 1045w\" data-sizes=\"(max-width: 772px) 100vw, 772px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 772px; --smush-placeholder-aspect-ratio: 772\/1024;\" \/><\/figure><\/div>\n\n\n\n<p>Bringing together 153 works on paper, the show surveyed the key developments of Guston\u2019s career through its three distinct phases; the early figurative works of the thirties and forties; the linear black-and-white abstractions of the fifties and sixties; and his finalworks from&nbsp;1968 to 1980, in which he controversially returned to figuration.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"696\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-1024x696.jpg\" alt=\"\" class=\"wp-image-48970 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-1024x696.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-300x204.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-768x522.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-1353x920.jpg 1353w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003.jpg 1412w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/696;\" \/><\/figure><\/div>\n\n\n\n<p>Guston was born in Montreal to Ukrainian Jewish parents who escaped persecution when they moved from Odessa to Canada. His family moved to California when he was a young boy and Guston was aware of the regular Klan activities against Jews, Blacks and other minorities that took place across the UnitedStates.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"728\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0006-1-1024x728.jpg\" alt=\"\" class=\"wp-image-48969 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0006-1-1024x728.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0006-1-300x213.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0006-1-768x546.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0006-1-1295x920.jpg 1295w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0006-1.jpg 1385w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/728;\" \/><\/figure><\/div>\n\n\n\n<p>The exhibition at Modern Art Oxfordincluded one of Guston\u2019s earliest drawings, a study for the painting <em>The Conspirators<\/em>&nbsp;(1930) created&nbsp;when he was just 17, depicting a pack ofKu Klux Klan members&nbsp;huddled beneath hanged and crucified figures. This was the first&nbsp;appearance of hooded figuresin Guston\u2019s work, a motif that was to reappear frequently in his late works, along with cartoonish but menacing renderings of various personal symbols and objects including reclining heads, intertwined legs, nail-studded shoes and flat&nbsp;iron shapes, all part of his dark dystopian vision of society. &nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"690\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0005-1024x690.jpg\" alt=\"\" class=\"wp-image-48968 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0005-1024x690.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0005-300x202.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0005-768x518.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0005-1365x920.jpg 1365w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0005.jpg 1455w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/690;\" \/><\/figure><\/div>\n\n\n\n<p>Guston\u2019s work reminds us of our tragically recurring tendency towards casual violence and bigotry. Historical lessons well worth revisiting as we navigate new social and political realities.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am a great admirer of the American artist&nbsp;Philip Guston (1913-80), and I have been looking again at his extraordinary body of work recently in light of the mood and temperament of our own turbulent times.&nbsp;Guston\u2019swork seems to me to resonate with the anxiety of contemporary society.&nbsp;&nbsp; The major exhibition of his drawings at Modern&hellip; <a class=\"more-link\" href=\"https:\/\/www.modernartoxford.org.uk\/cms\/the-directors-archive-philip-guston-1989\/\">Continue reading <span class=\"screen-reader-text\">The Director&#8217;s Archive: Philip Guston, 1989<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":48967,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[93,206],"tags":[],"class_list":["post-48966","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-event","category-the-archive","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Director&#039;s Archive: Philip Guston, 1989<\/title>\n<meta name=\"description\" content=\"Paul Hobson reflects on how Guston\u2019s work reminds us of our tragically recurring tendency towards casual violence and bigotry.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" 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