{"id":48983,"date":"2016-08-11T21:13:00","date_gmt":"2016-08-11T20:13:00","guid":{"rendered":"https:\/\/modernartoxford.org.uk\/cms\/?p=48983"},"modified":"2022-02-24T22:11:10","modified_gmt":"2022-02-24T22:11:10","slug":"the-directors-archive-paul-klee-1983","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/the-directors-archive-paul-klee-1983\/","title":{"rendered":"The Director&#8217;s Archive: Paul Klee, 1983"},"content":{"rendered":"\n<p>Although Modern Art Oxford has become known in recent decades for solo presentations of international artists working&nbsp;directly&nbsp;in response to the spaces of the gallery, many of the memorable shows in our&nbsp;50year history have also been touring exhibitions organised by other institutions and exhibited here.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"682\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1-1024x682.jpg\" alt=\"\" class=\"wp-image-48984 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1-1024x682.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1-300x200.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1-768x511.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1-1536x1023.jpg 1536w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1-1382x920.jpg 1382w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1-1568x1044.jpg 1568w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0001-1.jpg 1616w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/682;\" \/><\/figure><\/div>\n\n\n\n<p>One such show, presented in the early autumn of 1983, was an exhibition organised by the Castle Museum in Nottingham of works by Swiss-German artist, Paul Klee (1879-1940). The exhibition included&nbsp;60&nbsp;paintings, watercolours and drawings lent by Klee\u2019s son, spanning the breadth of his working life and arranged chronologically throughout the middle and back galleries.&nbsp;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"949\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0008-1024x949.jpg\" alt=\"\" class=\"wp-image-48988 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0008-1024x949.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0008-300x278.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0008-768x712.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0008-993x920.jpg 993w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0008.jpg 1064w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/949;\" \/><\/figure><\/div>\n\n\n\n<p>The&nbsp;earliest painting, dated&nbsp;to&nbsp;1902<strong>, <\/strong>was created&nbsp;when Klee was a young artist in M\u00fcnich, just before he found himself attracted by the primitivist zeal of a group of young artists centered around the Russian emigr\u00e9s Kandinsky and Jawlensky and the young German painters August Macke and Franz Marc, later known as The Blue Rider (Der Blaue Reiter).&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"822\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-1-1-1024x822.jpg\" alt=\"\" class=\"wp-image-48987 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-1-1-1024x822.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-1-1-300x241.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-1-1-768x616.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-1-1-1147x920.jpg 1147w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0003-1-1.jpg 1336w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/822;\" \/><\/figure><\/div>\n\n\n\n<p>The exhibition charted key biographical territory: Klee\u2019s travels to Paris and his exposure to the works of Delauney, Picasso and Braque, and onto Tunisia; his time as Director of the Stained Glass Workshop at the Bauhaus in Weimar, before ridicule and exile at the hands of the Nazis in Switzerland.&nbsp;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"862\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0004-1-1-1024x862.jpg\" alt=\"\" class=\"wp-image-48986 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0004-1-1-1024x862.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0004-1-1-300x253.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0004-1-1-768x646.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0004-1-1-1093x920.jpg 1093w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/IMG_0004-1-1.jpg 1150w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/862;\" \/><\/figure><\/div>\n\n\n\n<p>Concluding the exhibition were&nbsp;the&nbsp;last two paintings&nbsp;Klee produced\u2013&nbsp;<em>Angel of Death&nbsp;<\/em>and&nbsp;<em>Still Life&nbsp;<\/em>\u2013 images haunted by death, which conveyed Klee\u2019smania and battle with depression that plagued his health later in life. &nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"665\" height=\"1024\" data-src=\"https:\/\/modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/scan-2-665x1024.jpeg\" alt=\"\" class=\"wp-image-48985 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/scan-2-665x1024.jpeg 665w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/scan-2-195x300.jpeg 195w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/scan-2-768x1183.jpeg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/scan-2-997x1536.jpeg 997w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/scan-2-1330x2048.jpeg 1330w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/scan-2-597x920.jpeg 597w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/scan-2-1568x2415.jpeg 1568w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/scan-2-scaled.jpeg 1662w\" data-sizes=\"(max-width: 665px) 100vw, 665px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 665px; --smush-placeholder-aspect-ratio: 665\/1024;\" \/><\/figure><\/div>\n\n\n\n<p>I chose this exhibition because I love Klee\u2019s childlike perspective and musicality, and because he was one of the most influential lecturers and writers on colour in modern art. I also&nbsp;selected&nbsp;this show because it illustrates historic approaches to creating exhibitions for audiences in Oxford that act as the foundation for the gallery\u2019s programme today.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Although Modern Art Oxford has become known in recent decades for solo presentations of international artists working&nbsp;directly&nbsp;in response to the spaces of the gallery, many of the memorable shows in our&nbsp;50year history have also been touring exhibitions organised by other institutions and exhibited here.&nbsp; One such show, presented in the early autumn of 1983, was&hellip; <a class=\"more-link\" href=\"https:\/\/www.modernartoxford.org.uk\/cms\/the-directors-archive-paul-klee-1983\/\">Continue reading <span class=\"screen-reader-text\">The Director&#8217;s Archive: Paul Klee, 1983<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":48984,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[93,206],"tags":[],"class_list":["post-48983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-event","category-the-archive","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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