{"id":49164,"date":"2019-04-03T12:35:00","date_gmt":"2019-04-03T11:35:00","guid":{"rendered":"https:\/\/modernartoxford.org.uk\/cms\/?p=49164"},"modified":"2022-02-27T13:33:52","modified_gmt":"2022-02-27T13:33:52","slug":"reading-list-akram-zaatari-the-script","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/reading-list-akram-zaatari-the-script\/","title":{"rendered":"Reading List \u2013 Akram Zaatari: The Script"},"content":{"rendered":"\n<p>Through his compelling and deeply researched practice, Lebanese artist Akram Zaatari explores the manner in&nbsp;which we&nbsp;choose to present ourselves both on, and offline, from YouTube videos to photographic archives. His work touches on complex and timely themes including contemporary image production, cultural activism and archival studies.<\/p>\n\n\n\n<p><strong>Drawn together by our curators, this reading list delves into some of these fascinating subjects.<\/strong><\/p>\n\n\n\n<p>Many of the titles are available to buy in the Modern Art Oxford Shop.<\/p>\n\n\n\n<p>The free exhibition Akram Zaatari: <em>The Script <\/em>is on at Modern Art Oxford until\u00a012 May 2019.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2019\/04\/Politics-of-mass-digitalisation-203x300.jpg\" alt=\"\" class=\"wp-image-30553 lazyload\" title=\"The Politics of Mass Digitization (2019) By Nanna Bonde Thylstrup\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 203px; --smush-placeholder-aspect-ratio: 203\/300;\" \/><\/figure><\/div>\n\n\n\n<p><br><strong>The Politics of Mass Digitization (2019)<\/strong><br>By Nanna Bonde Thylstrup<br>MIT Press<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2019\/04\/Donnatella-189x300.jpg\" alt=\"\" class=\"wp-image-30554 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 189px; --smush-placeholder-aspect-ratio: 189\/300;\" \/><\/figure><\/div>\n\n\n\n<p><br><strong>Shooting a Revolution: Visual Media and Warfare in Syria (2018)<\/strong><br>By Donatella Della Ratta<br>Pluto Press<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2019\/04\/futureimperfect_cover-209x300.jpg\" alt=\"\" class=\"wp-image-30555 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><\/figure><\/div>\n\n\n\n<p><br><strong>Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East (2016)<\/strong><br>Edited by Anthony Downey<br>Sternberg Press<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2019\/04\/Dissonant-Archives-212x300.jpg\" alt=\"\" class=\"wp-image-30556 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><\/figure><\/div>\n\n\n\n<p><br><strong>Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East (2015)<\/strong><br>Edited by Anthony Downey<br>I.B. Tauris<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2019\/04\/51UI9nDoCQL._SX356_BO1204203200_-215x300.jpg\" alt=\"\" class=\"wp-image-30557 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><\/figure><\/div>\n\n\n\n<p><br><strong>Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East (2014)<\/strong><br>Edited by Anthony Downey<br>I.B. Tauris<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2019\/04\/Public-private-secret-212x300.jpg\" alt=\"\" class=\"wp-image-30558 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><\/figure><\/div>\n\n\n\n<p><br><strong>Public, Private, Secret: On Photography &amp; the Configuration of Self&nbsp;(2018)<\/strong><br>By&nbsp;Marina Chao&nbsp;&amp; Pauline Vermare, edited by Charlotte Cotton<br>Aperture<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2019\/04\/shy-rad_cover2018-1-192x300.jpg\" alt=\"\" class=\"wp-image-30559 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 192px; --smush-placeholder-aspect-ratio: 192\/300;\" \/><\/figure><\/div>\n\n\n\n<p><br><strong>Shy Radicals: The Anti-systemic Politics of the Introvert Militant: Hamja Ahsan [Common Objectives] (2017)<\/strong><br>By&nbsp;Hamja Ahsan, edited by&nbsp;Nina Power<br>Bookworks<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2019\/04\/Bouchra-207x300.jpg\" alt=\"\" class=\"wp-image-30560 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 207px; --smush-placeholder-aspect-ratio: 207\/300;\" \/><\/figure><\/div>\n\n\n\n<p><br><strong>The Tempest Society (2019)<\/strong><br>By Bouchra Khalili<br>Bookworks<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Through his compelling and deeply researched practice, Lebanese artist Akram Zaatari explores the manner in&nbsp;which we&nbsp;choose to present ourselves both on, and offline, from YouTube videos to photographic archives. His work touches on complex and timely themes including contemporary image production, cultural activism and archival studies. Drawn together by our curators, this reading list delves&hellip; <a class=\"more-link\" href=\"https:\/\/www.modernartoxford.org.uk\/cms\/reading-list-akram-zaatari-the-script\/\">Continue reading <span class=\"screen-reader-text\">Reading List \u2013 Akram Zaatari: The Script<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":49165,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-49164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reading List \u2013 Akram Zaatari: The Script - Modern Art Oxford<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reading List \u2013 Akram Zaatari: The Script - Modern Art Oxford\" \/>\n<meta property=\"og:description\" content=\"Through his compelling and deeply researched practice, Lebanese artist Akram Zaatari explores the manner in&nbsp;which we&nbsp;choose to present ourselves both on, and offline, from YouTube videos to photographic archives. His work touches on complex and timely themes including contemporary image production, cultural activism and archival studies. Drawn together by our curators, this reading list delves&hellip; Continue reading Reading List \u2013 Akram Zaatari: The Script\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.modernartoxford.org.uk\/cms\/reading-list-akram-zaatari-the-script\/\" \/>\n<meta property=\"og:site_name\" content=\"Modern Art Oxford\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-03T11:35:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-02-27T13:33:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/02\/saida-june6-1982-15cm.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"389\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"focusadmin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"focusadmin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/reading-list-akram-zaatari-the-script\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/reading-list-akram-zaatari-the-script\\\/\"},\"author\":{\"name\":\"focusadmin\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/#\\\/schema\\\/person\\\/5e1ae1f6dcc48ef814137d0d6f1a1422\"},\"headline\":\"Reading List \u2013 Akram Zaatari: The Script\",\"datePublished\":\"2019-04-03T11:35:00+00:00\",\"dateModified\":\"2022-02-27T13:33:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/reading-list-akram-zaatari-the-script\\\/\"},\"wordCount\":230,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/reading-list-akram-zaatari-the-script\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/wp-content\\\/uploads\\\/2022\\\/02\\\/saida-june6-1982-15cm.jpeg\",\"articleSection\":[\"News\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/reading-list-akram-zaatari-the-script\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/reading-list-akram-zaatari-the-script\\\/\",\"url\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/reading-list-akram-zaatari-the-script\\\/\",\"name\":\"Reading List \u2013 Akram Zaatari: The Script - 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