{"id":51756,"date":"2022-11-11T14:42:33","date_gmt":"2022-11-11T14:42:33","guid":{"rendered":"https:\/\/modernartoxford.org.uk\/cms\/?p=51756"},"modified":"2022-11-17T09:48:42","modified_gmt":"2022-11-17T09:48:42","slug":"abramovic-dj-response","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/abramovic-dj-response\/","title":{"rendered":"A DJ&#8217;s response to Gates and Portals"},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>Tune in for an energising musical response to Marina Abramovi\u0107: <em>Gates and Portals<\/em>.<\/strong><\/p>\n\n\n\n<p>DJ, musician and Modern Art Oxford Visitor Engagement Assistant, Martin Andrews currently works in Marina Abramovi\u0107&#8217;s exhibition. For his role as an Exhibition Facilitator, Martin is trained in &#8220;The Abramovi\u0107 Method,&#8221; a synthesis of Marina Abramovic\u2019s research and experience spanning her 50-year career, and an exploration of being present in both time and space. <\/p>\n\n\n\n<p>This September, we invited Martin (a.k.a DJ Octavia Freud) to provide music to accompany the opening night of Marina Abramovic&#8217;s show, a unique musical response he&#8217;s now shared with us. <br><br><strong>Discover the resulting DJ mix and playlist below, along with Martin&#8217;s account of the recent experiences that inspired it.<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-extra-large-font-size\">Listen<\/p>\n\n\n\n<p><strong>Listen on MixCloud:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-mixcloud wp-block-embed-mixcloud wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"A Dj&#039;s Response To &#039;Gates And Portals&#039;\" width=\"100%\" height=\"120\" data-src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fmartin-andrews5%2Fa-djs-response-to-gates-and-portals%2F&amp;hide_cover=1\" frameborder=\"0\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Listen on Spotify:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: A DJ&amp;apos;s response to &amp;apos;Gates &amp; Portals&amp;apos;\" style=\"border-radius: 12px\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" data-src=\"https:\/\/open.spotify.com\/embed\/playlist\/0GofbUSbJkAD9DQVxu36TE?si=c69292db3bcf4dc5&#038;utm_source=oembed\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe> \n<\/div><\/figure>\n\n\n\n<p>I was asked by Modern Art Oxford to DJ at Marina Abramovic\u2019s opening party for her exhibition<em> Gates and Portals.<\/em> The same week I attended three days of \u2018The Abramovi\u0107 Method\u2019 training, taking place at the gallery to prepare for working as a facilitator in the exhibition. This involved completing endurance tasks for eight hours a day whilst fasting and remaining silent. The tasks are designed to help artists develop their durational performance practice. I have been making music, DJ-ing and performing on stage for the last 20 years so I was intrigued but also sceptical about how walking very slowly across a room for an hour, opening and shutting a door for two hours, staring into someone\u2019s eyes or separating rice from lentils could benefit my practice. The first chance I would get to perform after completing the training would be my DJ set.&nbsp;<\/p>\n\n\n\n<p>After finishing each day of Method training I immersed myself in music, thought about the artist and what her work represented and how I could respond through my musical choices. I gravitated towards cosmic ambient sounds that reflected the slow, intense repetition and transcendental nature of the training and a higher state of consciousness. I also felt an opposite darker energy in Marina\u2019s work and the nature of the long training exercises, that for some felt like punishment and pain. In my musical mind this was represented by gothic industrial noises and chants.&nbsp;<\/p>\n\n\n\n<p>When the evening arrived I began my set and the public rushed into the Caf\u00e9 space. I could feel a strong energy of expectation build in the room as all eyes were on me. My plan was to play slow, intense waves of sounds that would hold onto this energy without offering a chance of release before the moment Marina would speak. As a performer, all you are interested in is the energy in the room between yourself and audience. In this case it wasn\u2019t me the audience were waiting to hear from, it was Marina, but I was determined to match this moment with my own musical performance. I began to build up layers of sound, mixing in drums and chants and then after about two hours a really strange thing happened. Spontaneously, I began to act out the slow deliberate movements of the Method. I walked away from the decks and held my hands out in front of me, watching my palms as they moved across my line of vision. Then I turned my back to the audience and faced the wall and stared as long as I could while the music continued to play. I was at one with the music, the audience and the Method and I was completely in the zone. Finally, it was time for Marina to speak.<\/p>\n\n\n\n<p><strong>\u2018A DJ\u2019s response to Gates and Portals\u2019 is a recreation of the mix played by Octavia Freud at Modern Art Oxford, at the exhibition opening of Marina Abramovi\u0107: <em>Gates and Portals <\/em>(Friday 23 September 2022.<\/strong>)<\/p>\n\n\n\n<p><strong>Octavia Freud&#8217;s latest album, &#8216;Land Ahoy&#8217; is out now. Discover more:<br><a href=\"http:\/\/octaviafreud.bandcamp.com\/\">octaviafreud.bandcamp.com<\/a><br><a href=\"http:\/\/octaviafreud.com\/\">octaviafreud.com<\/a><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Discover more about Marina Abramovi\u0107: <em>Gates and Portals<\/em> by <a href=\"https:\/\/modernartoxford.org.uk\/whats-on\/marina-abramovic\">clicking here.<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tune in for a musical response to Marina Abramovi\u0107: Gates and Portals. Created by DJ, musician and Modern Art Oxford Exhibition Facilitator, Martin Andrews.<\/p>\n","protected":false},"author":360,"featured_media":51757,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[221],"tags":[225,228,224,226,223,222,227],"class_list":["post-51756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-marina-abramovic","tag-dj","tag-marina-abramovic","tag-martin-andrews","tag-mixcloud","tag-music","tag-playlist","tag-spotify","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A DJ&#039;s response to Gates and Portals - Modern Art Oxford<\/title>\n<meta name=\"description\" content=\"Tune in for a musical response to Marina Abramovi\u0107: Gates and Portals. 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