{"id":54863,"date":"2022-12-14T17:00:38","date_gmt":"2022-12-14T17:00:38","guid":{"rendered":"https:\/\/www.modernartoxford.org.uk\/cms\/?p=54863"},"modified":"2023-01-19T09:56:58","modified_gmt":"2023-01-19T09:56:58","slug":"reading-list-johanna-hedva","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/reading-list-johanna-hedva\/","title":{"rendered":"Reading List:  Johanna Hedva"},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>Journey through explorations of queerness, artificial intelligence, dystopia, love and speculative fiction in this reading list by the Korean-American writer, artist, and musician Johanna Hedva.<\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\">Head below to discover some of the inspiration behind Johanna Hedva&#8217;s <em><a href=\"https:\/\/www.modernartoxford.org.uk\/whats-on\/johanna-hedva-who-listens-learns\">Who Listens and Learns<\/a> <\/em>(29 November &#8211; 5 March 2023), a mystical artwork exploring magic and AI technology, presented in Modern Art Oxford&#8217;s Caf\u00e9 and online until 5 March 2023.<br><br>For a limited period, a selection of the below books are available to buy in <a href=\"https:\/\/modernartoxford.org.uk\/visit\/shop\">Modern Art Oxford&#8217;s Shop.<\/a><\/p>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium is-resized\"><a href=\"https:\/\/www.ndbooks.com\/book\/the-wall-1\/\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/The-Wall-1-194x300.jpg\" alt=\"Blue and white book cover with a cow reading: The Wall, Marlen Haushofer\" class=\"wp-image-54864 lazyload\" width=\"194\" height=\"300\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/The-Wall-1-194x300.jpg 194w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/The-Wall-1-664x1024.jpg 664w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/The-Wall-1-768x1185.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/The-Wall-1-596x920.jpg 596w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/The-Wall-1.jpg 796w\" data-sizes=\"(max-width: 194px) 100vw, 194px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 194px; --smush-placeholder-aspect-ratio: 194\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>The Wall<\/em>, Marlen Haushofer (1963)<\/strong><br><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><em>The Wall<\/em> is a feminist survival story and loving portrait of a relationship between a woman and her animals. It tells the story of a woman holidaying in a hunting lodge in the Austrian mountains, who awakens one morning to find herself separated from the rest of the world by an invisible wall. <a href=\"https:\/\/www.ndbooks.com\/book\/the-wall-1\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Discover more.<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><a href=\"https:\/\/www.andotherstories.org\/tentacle\/\"><img decoding=\"async\" width=\"196\" height=\"300\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Tentacle-1-196x300.jpeg\" alt=\"Book cover with a pink sea anenome with the words: Tentacle, Rita Indiana \" class=\"wp-image-54865 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Tentacle-1-196x300.jpeg 196w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Tentacle-1.jpeg 400w\" data-sizes=\"(max-width: 196px) 100vw, 196px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 196px; --smush-placeholder-aspect-ratio: 196\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>Tentacle<\/em>, Rita Indiana (2018)<\/strong><\/p>\n\n\n\n<p><em>Tentacle <\/em>delves into themes including climate change, technology, queer politics and contemporary art. Set on the streets of a post-apocalyptic Dominican Republic, a young maid finds herself at the heart of a Santer\u00eda prophecy: only she can travel back in time and save humanity from disaster. But first she must become the man she always was \u2013 with the help of a sacred anemone. <a href=\"https:\/\/www.andotherstories.org\/tentacle\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Discover more.<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><a href=\"https:\/\/ignota.org\/products\/atlas-of-anomalous-ai\"><img decoding=\"async\" width=\"217\" height=\"300\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.09.11-1-217x300.jpg\" alt=\"Red book cover with black words: Atlas of Anomalous AI, edited by Ben Vickers and K Allado-McDowell \" class=\"wp-image-54867 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.09.11-1-217x300.jpg 217w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.09.11-1.jpg 586w\" data-sizes=\"(max-width: 217px) 100vw, 217px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>Atlas of Anomalous AI<\/em>, edited by Ben Vickers and K Allado-McDowell (2020)<\/strong><\/p>\n\n\n\n<p class=\"has-normal-font-size\"><em>Atlas of Anomalous AI <\/em>provides a fascinating journey into our complex relationship to intelligence, from ancient to emerging systems of knowledge.&nbsp;<a href=\"https:\/\/ignota.org\/products\/atlas-of-anomalous-ai\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Discover more.<\/strong><\/a><br><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:49px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-twentytwentyone-border\">\n<figure class=\"aligncenter size-medium\"><a href=\"https:\/\/people.ucsc.edu\/~kbarad\/Barad-GLQ%20article-Transmaterialities.pdf\"><img decoding=\"async\" width=\"207\" height=\"300\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.11.48-1-207x300.jpg\" alt=\"Journal page with the title: TransMaterialities\" class=\"wp-image-54868 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.11.48-1-207x300.jpg 207w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.11.48-1-634x920.jpg 634w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.11.48-1.jpg 690w\" data-sizes=\"(max-width: 207px) 100vw, 207px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 207px; --smush-placeholder-aspect-ratio: 207\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>TransMaterialities<\/em>, Karen Barad. In GLQ: A Journal of Lesbian and Gay Studies (2015)<\/strong><\/p>\n\n\n\n<p>Karen Barad\u2019s free online article makes an argument for the \u201cradically deconstructive, queer, and trans nature of nature, including nature&#8217;s own engagement with materialist practices of imaginings.\u201d <a href=\"https:\/\/people.ucsc.edu\/~kbarad\/Barad-GLQ%20article-Transmaterialities.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Read it now.<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:49px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><a href=\"https:\/\/www.honfordstar.com\/cursed-bunny\"><img decoding=\"async\" width=\"194\" height=\"300\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.13.27-194x300.jpg\" alt=\"Purple book cover with a hare and the words: Cursed Bunny, Bora Chung\" class=\"wp-image-54870 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.13.27-194x300.jpg 194w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.13.27-596x920.jpg 596w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.13.27.jpg 602w\" data-sizes=\"(max-width: 194px) 100vw, 194px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 194px; --smush-placeholder-aspect-ratio: 194\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>Cursed Bunny<\/em>, Bora Chung (2021)<\/strong><\/p>\n\n\n\n<p>Shortlisted for the 2022 Booker International Prize, this genre-defying collection of short stories by Korean author Bora Chung fuses horror, magical realism and science-fiction.&nbsp;<a href=\"https:\/\/www.honfordstar.com\/cursed-bunny\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Discover more.<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><a href=\"https:\/\/satorpress.gumroad.com\/l\/jYkSB?layout=profile\"><img decoding=\"async\" width=\"208\" height=\"300\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/39319507._SX318_-3-208x300.jpg\" alt=\"Rose pink book cover with a black abstract line drawing, and the words: Johanna Hedva, On Hell\" class=\"wp-image-55083 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/39319507._SX318_-3-208x300.jpg 208w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/39319507._SX318_-3.jpg 318w\" data-sizes=\"(max-width: 208px) 100vw, 208px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 208px; --smush-placeholder-aspect-ratio: 208\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>On Hell,<\/em> Johanna Hedva (2021)<\/strong><\/p>\n\n\n\n<p>Both tender and brutal, Johanna Hedva&#8217;s <em>On Hell<\/em> is a novel about escaping and the myths that trick and resist totalitarianism, telling the story of an ex-con whose body is broken by American empire.<strong>&nbsp;<a href=\"https:\/\/satorpress.gumroad.com\/l\/jYkSB?layout=profile\">Discover more.<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><a href=\"https:\/\/www.penguinrandomhouse.com\/books\/624631\/the-dangers-of-smoking-in-bed-by-mariana-enriquez\/\"><img decoding=\"async\" width=\"199\" height=\"300\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.16.11-1-199x300.jpg\" alt=\"Dark book cover with a figure that has the face of a skull and yellow flowers, with the words: The Dangers of Smoking in Bed, Mariana Enriquez, author of Things We Lost in the Fire. \" class=\"wp-image-54871 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.16.11-1-199x300.jpg 199w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-16.16.11-1.jpg 438w\" data-sizes=\"(max-width: 199px) 100vw, 199px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 199px; --smush-placeholder-aspect-ratio: 199\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>The Dangers of Smoking in Bed<\/em>, Mariana Enriquez (2022)<\/strong><\/p>\n\n\n\n<p>Written against the backdrop of contemporary Argentina, Mariana Enriquez\u2019s stories of the macabre feature unruly teenagers, crooked witches, homeless ghosts, and hungry women who walk between the blurred lines of urban realism and horror.<strong> <a href=\"https:\/\/www.penguinrandomhouse.com\/books\/624631\/the-dangers-of-smoking-in-bed-by-mariana-enriquez\/\" target=\"_blank\" rel=\"noreferrer noopener\">Discover more.<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:49px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><a href=\"https:\/\/us.macmillan.com\/books\/9780374104092\"><img decoding=\"async\" width=\"199\" height=\"300\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.04.50-199x300.jpg\" alt=\"Light yellow book cover with a green dragon fly and a tropical plant with black words reading: Annihilation, Jeff Van Der Meer \" class=\"wp-image-54876 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.04.50-199x300.jpg 199w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.04.50-679x1024.jpg 679w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.04.50-768x1158.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.04.50-610x920.jpg 610w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.04.50.jpg 960w\" data-sizes=\"(max-width: 199px) 100vw, 199px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 199px; --smush-placeholder-aspect-ratio: 199\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>Annihilation<\/em>, Jeff Van Der Meer (2014)<\/strong><\/p>\n\n\n\n<p>Four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and the biologist narrator are tasked with mapping the terrain of Area X, which has been cut off from civilisation for decades. <strong><a href=\"https:\/\/us.macmillan.com\/books\/9780374104092\" target=\"_blank\" rel=\"noreferrer noopener\">Discover more.&nbsp;<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><a href=\"https:\/\/blackwells.co.uk\/bookshop\/product\/9781472281067?gC=5a105e8b&amp;gclid=Cj0KCQiAqOucBhDrARIsAPCQL1aUHcVm8yMVLpXngA7RCIc3nNTNjyZcqRtjH269rBZNvJsbPsL8JKQaAhUzEALw_wcB\"><img decoding=\"async\" width=\"196\" height=\"300\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/9781472281067-uk-1-196x300.jpeg\" alt=\"Book with waves of colour in red, orange and green with the face of a woman and the words: Dawn, Octavia Butler\" class=\"wp-image-54877 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/9781472281067-uk-1-196x300.jpeg 196w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/9781472281067-uk-1.jpeg 326w\" data-sizes=\"(max-width: 196px) 100vw, 196px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 196px; --smush-placeholder-aspect-ratio: 196\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>Dawn [Xenogenesis series, Book. 1]<\/em>, Octavia Butler (1997)<\/strong><\/p>\n\n\n\n<p>This post-apocalyptic story by the award winning science fiction author explores gender and race and follows a woman called upon to rebuild the future of humankind after a nuclear war.&nbsp;<a href=\"https:\/\/blackwells.co.uk\/bookshop\/product\/9781472281067?gC=5a105e8b&amp;gclid=Cj0KCQiAqOucBhDrARIsAPCQL1aUHcVm8yMVLpXngA7RCIc3nNTNjyZcqRtjH269rBZNvJsbPsL8JKQaAhUzEALw_wcB\" target=\"_blank\" rel=\"noreferrer noopener\"> <strong>Discover more.<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><a href=\"ndbooks.com\/author\/yoko-tawada\/\"><img decoding=\"async\" width=\"194\" height=\"300\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.09.43-194x300.jpg\" alt=\"Beige book cover with a person standing on top of an orange with the words: The Emissary, Yoko Tawada\" class=\"wp-image-54878 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.09.43-194x300.jpg 194w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.09.43-664x1024.jpg 664w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.09.43-768x1185.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.09.43-596x920.jpg 596w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/Screenshot-2022-12-14-at-17.09.43.jpg 796w\" data-sizes=\"(max-width: 194px) 100vw, 194px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 194px; --smush-placeholder-aspect-ratio: 194\/300;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>The Emissary<\/em>, Yoko Tawada (2018)<\/strong><br><\/p>\n\n\n\n<p>Funny and playful, Yoko Tawada\u2019s family drama is set in a Japan that has cut itself off from the world after suffering a massive, irreparable disaster. In this world, children are born so weak they can barely walk, leaving the elderly to bring things to life.&nbsp;<a href=\"https:\/\/www.ndbooks.com\/author\/yoko-tawada\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Discover more.<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium is-resized\"><a href=\"https:\/\/www.penguinrandomhouse.com\/books\/252774\/the-memory-police-by-yoko-ogawa\/\"><img decoding=\"async\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/9781101911815-1-195x300.jpeg\" alt=\"Book cover with a portrait of a woman  and the words:  The Memory Police, Yoko Ogawa\" class=\"wp-image-54879 lazyload\" width=\"194\" height=\"298\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/9781101911815-1-195x300.jpeg 195w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2022\/12\/9781101911815-1.jpeg 454w\" data-sizes=\"(max-width: 194px) 100vw, 194px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 194px; --smush-placeholder-aspect-ratio: 194\/298;\" \/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong><em>The Memory Police<\/em>, Yoko Ogawa (2020). Translated by Stephen Snyder<\/strong><\/p>\n\n\n\n<p>A finalist for the International Booker Prize, <em>The Memory Police<\/em> has been described as a \u201chaunting Orwellian novel\u201d exploring the terrors of state surveillance on an unnamed island.&nbsp;<a href=\"https:\/\/www.penguinrandomhouse.com\/books\/252774\/the-memory-police-by-yoko-ogawa\/\"><strong>Discover more. <\/strong><\/a><\/p>\n\n\n\n<div style=\"height:78px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-large-font-size\"><strong>Fall into the mystical&nbsp;artwork <em>Who Listens and Learns<\/em> by Johanna Hedva, on until 5 March 2023 in Modern Art Oxford&#8217;s Caf\u00e9 and online.<\/strong><\/p>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/modernartoxford.org.uk\/whats-on\/johanna-hedva-who-listens-learns\">Discover more about Who Listens and Learns<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/modernartoxford.org.uk\/blog\/branch-read-play-watch\">Get more creative reading inspiration <\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Journey through explorations of queerness, artificial intelligence, dystopia, love and speculative fiction in this reading list by the Korean-American writer, artist, and musician Johanna Hedva.<\/p>\n","protected":false},"author":360,"featured_media":55084,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[169,233,234],"tags":[],"class_list":["post-54863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital","category-johanna-hedva","category-reading-list","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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