{"id":63136,"date":"2023-09-13T10:39:49","date_gmt":"2023-09-13T09:39:49","guid":{"rendered":"https:\/\/www.modernartoxford.org.uk\/cms\/?p=63136"},"modified":"2023-09-28T09:49:15","modified_gmt":"2023-09-28T08:49:15","slug":"platform-2023-reading-and-viewing-lists","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/platform-2023-reading-and-viewing-lists\/","title":{"rendered":"Platform 2023 &#8211; Reading and viewing lists"},"content":{"rendered":"\n<p>Our 2023 Platform Artists are sharing their reading and viewing lists to accompany their upcoming exhibitions. Find out more about our Platform artists <a href=\"https:\/\/www.modernartoxford.org.uk\/whats-on\/platform-graduate-award-2023\">here<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Helen Kohl: <em>Untitled (Elements of the Intimacene<\/em><\/strong>) +<em> <strong>Untitled<\/strong><\/em><strong> <em>(The Heir of the Day)<\/em><\/strong><\/p>\n\n\n\n<p>Oxford Brookes  |  21 Sept \u2013 1 October<\/p>\n\n\n\n<p>Helen Kohl\u2019s practice centres around poetic observations of life through tactile and emotional thinking. Find out what inspired her work.<\/p>\n\n\n\n<p><strong>Reading List: <\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.abebooks.co.uk\/servlet\/BookDetailsPL?bi=31539926056&amp;ref_=ps_ggl_2039220669&amp;cm_mmc=ggl-_-UK_Shopp_Tradestandard-_-product_id=UK9780807064733USED-_-keyword=&amp;gclid=CjwKCAjwjOunBhB4EiwA94JWsDPB2OcPie-h44-H1hgwuC9Q_a36aJwsVTr_wqfL_lOVTCsshLq39RoCWBoQAvD_BwE\">Gaston Bachelard (1994),<em>The Poetics of Space<\/em><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.waterstones.com\/book\/the-carrier-bag-theory-of-fiction\/ursula-k-le-guin\/donna-haraway\/9781999675998\">Ursula K. Le Guin (1986),<em>The Carrier Bag Theory of Fiction<\/em>&nbsp;<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.pagesofhackney.co.uk\/webshop\/product\/staying-with-the-trouble-making-kin-in-the-chthulucene-donna-j-haraway\/\">Donna Haraway (2016), <em>Staying with the Trouble: Making Kin in the Chthulucene<\/em> Gaston&nbsp;<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.bloomsbury.com\/uk\/bodies-of-water-9781474275392\/\">Astrida Neimanis (2017), <em>Bodies of Water: Posthuman Feminist Phenomenology<\/em><\/a><\/p>\n\n\n\n<p><strong>Viewing List:<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/art21.org\/watch\/new-york-close-up\/jes-fan-in-flux\/\">Jes Fan (2019), <em>In Flux<\/em><\/a><\/p>\n\n\n\n<p>Lara Fluxa, Instagram <a href=\"https:\/\/www.instagram.com\/larafluxa\/?hl=en\">@larafluxa<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/forof.it\/en\/site-specific\/63232ada34270454b7565846\">Florence Peake (2022), <em>Interior Pull<\/em><\/a> <\/p>\n\n\n\n<p><a href=\"https:\/\/vimeo.com\/837833863\">Te\u00e4n Roberts (2023), <em>The Way of the Eel<\/em><\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>George Marrington: <em>Washed Up<\/em><\/strong><\/p>\n\n\n\n<p>The University of Reading  |  5 &#8211; 15 October<\/p>\n\n\n\n<p>George Marrington constructs paintings from an archive of images captured by himself and those close to him, exploring themes of adolescence and uncertainty.<\/p>\n\n\n\n<p><strong>Reading List:<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.amazon.co.uk\/Peter-Doig-Contemporary-Artists\/dp\/0714845043\">Peter Doig, Adrian Searle, Kitty Scott, and&nbsp; Catherine Grenier, (2015).&nbsp;<em>Peter Doig<\/em><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/blackwells.co.uk\/bookshop\/product\/Materiality-by-Petra-Lange-Berndt-editor\/9780262528092\">Petra Lange-Berndt, (2015).&nbsp;<em>Materiality<\/em><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/blackwells.co.uk\/bookshop\/product\/Hurvin-Anderson-by-Michael-John-Prokopow-Hurvin-Anderson\/9781848224773\">\u200cMichael J.Prokopow, (2021),&nbsp;<em>Hurvin Anderson<\/em><\/a><\/p>\n\n\n\n<p><strong>Viewing List:<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-britain\/life-between-islands\"><em>Life Between Islands<\/em> (2021), Group Exhibition, Tate<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/unitlondon.com\/exhibitions\/nicolas-holiber-shape-shifter\/\"><em>Nicolas Holiber: Shape-Shifter<\/em>  (2022)<\/a>, Exhibition, Unit, London<\/p>\n\n\n\n<p><a href=\"https:\/\/courtauld.ac.uk\/whats-on\/peter-doig\/\"><em>The Morgan Stanley Exhibition<\/em>: <em>Peter Doig<\/em> (2022), The Courtauld<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Sarah Catterall<em>: Assorted Moments<\/em><\/strong><\/p>\n\n\n\n<p>Ruskin School of Art  |  19 &#8211; 29 October<\/p>\n\n\n\n<p>Sarah Catterall is an artist and filmmaker. Curiosity drives their intuition as they work with different materials and collaborators, gathering assorted moments from the past to the present.<\/p>\n\n\n\n<p><strong>Reading List:<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.ebay.co.uk\/p\/216599307\">Lauren Cornell, Ed Halter and Johanna Burton,&nbsp;(2015), <em>Mass Effect Art and the Internet in the Twenty-First Century<\/em><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.waterstones.com\/book\/sister-outsider\/audre-lorde\/9780241410509\">Audre Lorde,&nbsp;(1984), <em>Sister Outsider<\/em><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.amazon.co.uk\/Giver-Lois-Lowry\/dp\/0385732554\">Lois Lowry,&nbsp;(1993), <em>The Giver<\/em><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.dukeupress.edu\/the-skin-of-the-film\">Laura Marks,&nbsp;(2000), <em>The Skin of the Film: Intercultural Cinema, Embodiment and the Senses<\/em><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/blackwells.co.uk\/bookshop\/product\/Art-in-California-by-Jenni-Sorkin\/9780500204610\">Jenni Sorkin,&nbsp;(2021), <em>Art in California<\/em><\/a><\/p>\n\n\n\n<p><strong>Viewing List:<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-modern\/donna-haraway-story-telling-earthly-survival\"><em>Donna Haraway: Story Telling for Earthly Survival<\/em>, (2016), dir. Fabrizio Terranova<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/youtu.be\/LY44I9P_QZU\"><em>Inventing the Future,(2020),&nbsp;<\/em>dir. Isiah Medina<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.theartnewspaper.com\/2022\/02\/23\/a-brush-with-ai-weiwei\">A Brush With&#8230; Podcast.&nbsp;<em>A brush with&#8230;Ai Wei Wei<\/em>. Released: 23 February 2022.&nbsp;<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/alwaysalreadypodcast.wordpress.com\/2018\/06\/28\/wynter\/\">Always Already. Podcast.&nbsp;<em>\u2018Ep. 57 \u2013 Sylvia Wynter, Unsettling the Coloniality of Being\/Power\/Truth\/Freedom\u2019<\/em>. Released: 28 June 2018<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Find out what inspired our Platform 2023 Artists. <\/p>\n","protected":false},"author":305,"featured_media":63155,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[152],"tags":[255,260],"class_list":["post-63136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-platform-graduate-award","tag-feminism","tag-reading","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Platform 2023 - Reading and viewing lists - Modern Art Oxford<\/title>\n<meta name=\"description\" content=\"From academic reading to instagram handles and podcasts, Discover the inspiration behind our Platform Artists exhibitions.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Platform 2023 - Reading and viewing lists - Modern Art Oxford\" \/>\n<meta property=\"og:description\" content=\"From academic reading to instagram handles and podcasts, Discover the inspiration behind our Platform Artists exhibitions.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.modernartoxford.org.uk\/cms\/platform-2023-reading-and-viewing-lists\/\" \/>\n<meta property=\"og:site_name\" content=\"Modern Art Oxford\" \/>\n<meta property=\"article:published_time\" content=\"2023-09-13T09:39:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-28T08:49:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2023\/09\/2154-99-1-1024x683.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ione Rail\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ione Rail\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/platform-2023-reading-and-viewing-lists\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/platform-2023-reading-and-viewing-lists\\\/\"},\"author\":{\"name\":\"Ione Rail\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/#\\\/schema\\\/person\\\/60407e6edd3bcf8ac03d51b29d4d4d17\"},\"headline\":\"Platform 2023 &#8211; 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