{"id":90532,"date":"2024-10-17T12:17:04","date_gmt":"2024-10-17T11:17:04","guid":{"rendered":"https:\/\/www.modernartoxford.org.uk\/cms\/?p=90532"},"modified":"2024-10-17T12:23:35","modified_gmt":"2024-10-17T11:23:35","slug":"reading-and-viewing-list-for-tender-grounds","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/reading-and-viewing-list-for-tender-grounds\/","title":{"rendered":"Reading and Viewing List for Tender Grounds"},"content":{"rendered":"\n<p>As part of the Platform Graduate Award 2024,\u00a0<em>Tender Grounds<\/em>\u00a0showcases the work of Katrina and Luca Dayanc (University of Reading), Ash Goller (Oxford Brookes University), and Jamie Bragg (Ruskin School of Art, University of Oxford).\u00a0<\/p>\n\n\n\n<p><em>Tender Grounds<\/em>\u00a0explores the delicate and fragile qualities that connect four artists\u2019 works, both in their materiality and their emotional undertones. The artworks are imbued with a shared sense of tenderness, reflecting themes of vulnerability, sensitivity, and rawness.<\/p>\n\n\n\n<p>The artists have curated reading and viewing lists to accompany the exhibition, offering a glimpse into the works that inspire them.<\/p>\n\n\n\n<p><strong>Ash Goller &#8211; Oxford Brookes University<\/strong><\/p>\n\n\n\n<p><strong>Reading List:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bailey, J. (2021). <em>Many hands make a quilt: Short histories of radical quilting<\/em>.<\/li>\n\n\n\n<li>Gaian, K. (2023). <em>Twenty Eight: Stories from the Section 28 generation<\/em>.<\/li>\n\n\n\n<li>Jeffery-Poulter, S. (1991). <em>Peers, queers &amp; commons: The struggle for gay law reform from 1950 to the present<\/em>.<\/li>\n\n\n\n<li>Goldin, N., &amp; Wojnarowicz, D. (1994). Love, sex, art, and death: In September of 1990, David Wojnarowicz and photographer Nan Goldin, longtime friends, sat down to a three-hour conversation. <em>Aperture<\/em>, (137), 56\u201369.<\/li>\n\n\n\n<li>Grey, A. (1993). <em>Speaking of sex: The limits of language<\/em>.<\/li>\n<\/ul>\n\n\n\n<p><strong>Artists&#8217; Works:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Brannick, B., &amp; Bigsby-Bye, A. (2023). <em>Norfolk Trans Joy Community Quilt<\/em>. Retrieved from <a href=\"https:\/\/www.instagram.com\/transjoyquilt\/\">https:\/\/www.instagram.com\/transjoyquilt\/<\/a><\/li>\n\n\n\n<li>West, E., Lawn, J., Lievens, C., &amp; Hill, A. (2023). <em>The Transition Quilt<\/em>.<\/li>\n\n\n\n<li>Wojnarowicz, D. (1990). <em>One Day This Kid\u2026<\/em> From <em>Desire\u2026A Queer Diary<\/em> [curated by Nan Goldin].<\/li>\n\n\n\n<li>Biogal. (2023). <em>A Hatching Place<\/em>.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong><a href=\"https:\/\/www.studiojamiebragg.com\/\">Jamie Bragg<\/a><\/strong> <strong>&#8211; Ruskin School of Art, University of Oxford<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Reading List:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Davies, N., &amp; Molesworth, H. (2020). <em>Noah Davies<\/em>.<\/li>\n\n\n\n<li>Batchelor, D. (2000). <em>Chromaphobia<\/em>.<\/li>\n\n\n\n<li>Sontag, S. (2019). <em>Regarding the Pain of Others<\/em>.<\/li>\n\n\n\n<li>Koerner, J. L. (2009). <em>Monstrance<\/em>.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Viewing List:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Michael Rosenfeld Gallery New York. (2023). <em>Agony and Ecstasy<\/em> [Exhibition by Bob Thompson].<\/li>\n\n\n\n<li>Hales and Grimm Gallery London. (2023). <em>Double Spar<\/em> [Exhibition by Anthony Cudahy].<\/li>\n\n\n\n<li>Grimm Gallery London. (2023). <em>Close<\/em> [Group exhibition curated by Russell Tovey].<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong><a href=\"https:\/\/katrina-dayanc.squarespace.com\/\">Katrina<\/a> and <a href=\"https:\/\/lucadayanc-art.squarespace.com\/\">Luca<\/a> Dayanc &#8211; University of Reading<\/strong><\/p>\n\n\n\n<p><strong>Reading List:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Tschumi, B. (1996). <em>Architecture and Disjunction<\/em>. MIT Press.<\/li>\n\n\n\n<li>Bataille, G. (1993). <em>Abjection and miserable forms<\/em>. <em>More or Less<\/em>.<\/li>\n\n\n\n<li>Han, B.-C. (2018). <em>The expulsion of the other: Society, perception and communication today<\/em>. John Wiley &amp; Sons.<\/li>\n\n\n\n<li>Evans, C. (2003). <em>Fashion at the edge: Spectacle, modernity, and deathliness<\/em>. Yale University Press.<\/li>\n\n\n\n<li>Bois, Y.-A. (1997). <em>Formless: A User\u2019s Guide<\/em>.<\/li>\n<\/ul>\n\n\n\n<p><strong>Artists\u2019 Works:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ferro, G. (n.d.). <em>Turning Into<\/em>. Retrieved from <a href=\"https:\/\/gustyferro.com\/Turning-Into\">https:\/\/gustyferro.com\/Turning-Into<\/a><\/li>\n\n\n\n<li>Hauser &amp; Wirth. (2024, May 23). <em>Phyllida Barlow &#8211; Unscripted<\/em>. Retrieved from <a href=\"https:\/\/www.hauserwirth.com\/hauser-wirth-exhibitions\/phyllida-barlow\">https:\/\/www.hauserwirth.com\/hauser-wirth-exhibitions\/phyllida-barlow<\/a><\/li>\n\n\n\n<li><em>The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)<\/em>. (n.d.). Retrieved from <a href=\"https:\/\/philamuseum.org\/collection\/object\/54149\">https:\/\/philamuseum.org\/collection\/object\/54149<\/a><\/li>\n\n\n\n<li>Tate. (2023, November). <em>Joseph Beuys 1921-1986<\/em>. Retrieved from <a href=\"https:\/\/www.tate.org.uk\/art\/artists\/joseph-beuys-747\">https:\/\/www.tate.org.uk\/art\/artists\/joseph-beuys-747<\/a><\/li>\n<\/ul>\n\n\n\n<p><strong>Viewing List:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>ICA. (2011, September 14). <em>What Is the Use of Ornament in Contemporary Art and Architecture?<\/em> [Video]. YouTube. <a href=\"https:\/\/www.youtube.com\/watch?v=B14uaSxLong\">https:\/\/www.youtube.com\/watch?v=B14uaSxLong<\/a><\/li>\n\n\n\n<li>NEW NOVETA. (2018, June 15). <em>Fateful &#8211; New Noveta with Vindicatrix<\/em> [Video]. YouTube. <a href=\"https:\/\/www.youtube.com\/watch?v=y2fZgAAPIsU\">https:\/\/www.youtube.com\/watch?v=y2fZgAAPIsU<\/a><\/li>\n\n\n\n<li>Collins, B. F. (2014, May 30). <em>How To Too Much<\/em> [Video]. Vimeo. <a href=\"https:\/\/vimeo.com\/96913802\">https:\/\/vimeo.com\/96913802<\/a><\/li>\n\n\n\n<li>Etchells, T. (2021, October 17). <em>This Instrument<\/em>. Retrieved from <a href=\"https:\/\/timetchells.com\/projects\/this-instrument\/\">https:\/\/timetchells.com\/projects\/this-instrument\/<\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><em>Tender Grounds<\/em> is on display in our Ground Floor Gallery from 2 November &#8211; 1 December 2024. <\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\">Discover more about the Platform Graduate Award<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Discover the Platform Artists&#8217; reading and viewing lists curated to accompany their group exhibition Tender Grounds.<\/p>\n","protected":false},"author":305,"featured_media":89948,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[152,234],"tags":[307,117],"class_list":["post-90532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-platform-graduate-award","category-reading-list","tag-platform-graduate-award","tag-young-artists","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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