{"id":90906,"date":"2024-11-28T16:40:46","date_gmt":"2024-11-28T16:40:46","guid":{"rendered":"https:\/\/www.modernartoxford.org.uk\/cms\/?p=90906"},"modified":"2024-11-28T16:52:54","modified_gmt":"2024-11-28T16:52:54","slug":"a-look-closer-ever-watchful-eyes","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/","title":{"rendered":"A Look Closer: How Belkis Ay\u00f3n uses Gaze"},"content":{"rendered":"\n<p>In Belkis Ay\u00f3n\u2019s work, the eyes are the only facial features shown, exuding an intensity that transcends words. Are they anxious? Commanding? Secretive? This deliberate ambiguity heightens the sense of mystery and myth, suggesting that the themes in her art are universally relevant.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"1024\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1-1024x1024.png\" alt=\"A photo of a man in an art gallery looking at a collograph print by artist Belkis Ay\u00f3n. The print depicts a figure with no eyes or mouth staring directly into the camera. A snake is wrapped over the shoulder and a fish is floating above their head. \" class=\"wp-image-90907 lazyload\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/1024;width:400px;height:auto\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1-1024x1024.png 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1-300x300.png 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1-150x150.png 150w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1-768x768.png 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1-920x920.png 920w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1.png 1080w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/figure>\n<\/div>\n\n\n<p>The concept of the <em>gaze<\/em> &#8211; how we look at art and how the subject looks back &#8211; has fascinated artists and audiences throughout history. From da Vinci\u2019s <em>Mona Lisa<\/em> to Vermeer\u2019s <em>Girl with a Pearl Earring<\/em>, the gaze has been a potent tool to evoke emotion, assert power, and draw viewers into a narrative, sometimes making them complicit in the stories being told.<\/p>\n\n\n\n<p>\u201cThe eyes look at you directly&#8230; you cannot hide &#8211; wherever you go, they are there, always watching, making you an accomplice to what you see,\u201d Ay\u00f3n reflected in an interview with <em>Revoluci\u00f3n y Cultura<\/em>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"1024\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/6-1-1024x1024.png\" alt=\"A black and white collograph print by Belkis Ay\u00f3n of figures with no features just eyes. They are looking at each other and holding each others faces. In the background figures are fighting.\" class=\"wp-image-90908 lazyload\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/1024;width:380px;height:auto\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/6-1-1024x1024.png 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/6-1-300x300.png 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/6-1-150x150.png 150w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/6-1-768x768.png 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/6-1-920x920.png 920w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/6-1.png 1080w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/figure>\n<\/div>\n\n\n<p>Through her watchful figures, Ay\u00f3n redefines the gaze, transforming it into a channel for connection and confrontation. Her art invites us to engage, question, and reflect &#8211; making us both observers and participants in the myths she brings to life.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"1024\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/7-1-1024x1024.png\" alt=\"A photo of a collograph print by Belkis Ayon showing a regal figure holding a staff, looking up. A hand offers him something.\" class=\"wp-image-90909 lazyload\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/1024;width:411px;height:auto\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/7-1-1024x1024.png 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/7-1-300x300.png 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/7-1-150x150.png 150w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/7-1-768x768.png 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/7-1-920x920.png 920w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/7-1.png 1080w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Belkis Ay\u00f3n: <em>Sik\u00e1n Illuminations<\/em> is on display until 9 February 2025. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Belkis Ay\u00f3n\u2019s work, the eyes are the sole facial features depicted. Discover how through her watchful figures, Ay\u00f3n redefines the gaze, using it as a channel for connection and confrontation.<\/p>\n","protected":false},"author":305,"featured_media":90907,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[308],"tags":[264,255,248],"class_list":["post-90906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-belkis-ayon","tag-artist","tag-feminism","tag-research","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A Look Closer: How Belkis Ay\u00f3n uses Gaze - Modern Art Oxford<\/title>\n<meta name=\"description\" content=\"In Belkis Ay\u00f3n\u2019s work, the eyes are the sole facial features depicted. Discover how through her watchful figures, Ay\u00f3n redefines the gaze.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Look Closer: How Belkis Ay\u00f3n uses Gaze - Modern Art Oxford\" \/>\n<meta property=\"og:description\" content=\"In Belkis Ay\u00f3n\u2019s work, the eyes are the sole facial features depicted. Discover how through her watchful figures, Ay\u00f3n redefines the gaze.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/\" \/>\n<meta property=\"og:site_name\" content=\"Modern Art Oxford\" \/>\n<meta property=\"article:published_time\" content=\"2024-11-28T16:40:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-28T16:52:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Ione Rail\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ione Rail\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/\"},\"author\":{\"name\":\"Ione Rail\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/#\\\/schema\\\/person\\\/60407e6edd3bcf8ac03d51b29d4d4d17\"},\"headline\":\"A Look Closer: How Belkis Ay\u00f3n uses Gaze\",\"datePublished\":\"2024-11-28T16:40:46+00:00\",\"dateModified\":\"2024-11-28T16:52:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/\"},\"wordCount\":209,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/wp-content\\\/uploads\\\/2024\\\/11\\\/1-1.png\",\"keywords\":[\"artist\",\"feminism\",\"research\"],\"articleSection\":[\"Belkis Ay\u00f3n\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/\",\"url\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/\",\"name\":\"A Look Closer: How Belkis Ay\u00f3n uses Gaze - Modern Art Oxford\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/wp-content\\\/uploads\\\/2024\\\/11\\\/1-1.png\",\"datePublished\":\"2024-11-28T16:40:46+00:00\",\"dateModified\":\"2024-11-28T16:52:54+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/#\\\/schema\\\/person\\\/60407e6edd3bcf8ac03d51b29d4d4d17\"},\"description\":\"In Belkis Ay\u00f3n\u2019s work, the eyes are the sole facial features depicted. Discover how through her watchful figures, Ay\u00f3n redefines the gaze.\",\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/a-look-closer-ever-watchful-eyes\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/wp-content\\\/uploads\\\/2024\\\/11\\\/1-1.png\",\"contentUrl\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/wp-content\\\/uploads\\\/2024\\\/11\\\/1-1.png\",\"width\":1080,\"height\":1080,\"caption\":\"A photo of a man in an art gallery looking at a collograph print by artist Belkis Ay\u00f3n. The print depicts a figure with no eyes or mouth staring directly into the camera. A snake is wrapped over the shoulder and a fish is floating above their head.\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/#website\",\"url\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/\",\"name\":\"Modern Art Oxford\",\"description\":\"Just another WordPress site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/#\\\/schema\\\/person\\\/60407e6edd3bcf8ac03d51b29d4d4d17\",\"name\":\"Ione Rail\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/333e187a78154cfac0c3ef3095a9500dfeb0823143cf259b28816a6fd00d7117?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/333e187a78154cfac0c3ef3095a9500dfeb0823143cf259b28816a6fd00d7117?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/333e187a78154cfac0c3ef3095a9500dfeb0823143cf259b28816a6fd00d7117?s=96&d=mm&r=g\",\"caption\":\"Ione Rail\"},\"url\":\"https:\\\/\\\/www.modernartoxford.org.uk\\\/cms\\\/author\\\/ione-rail\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"A Look Closer: How Belkis Ay\u00f3n uses Gaze - Modern Art Oxford","description":"In Belkis Ay\u00f3n\u2019s work, the eyes are the sole facial features depicted. Discover how through her watchful figures, Ay\u00f3n redefines the gaze.","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"A Look Closer: How Belkis Ay\u00f3n uses Gaze - Modern Art Oxford","og_description":"In Belkis Ay\u00f3n\u2019s work, the eyes are the sole facial features depicted. Discover how through her watchful figures, Ay\u00f3n redefines the gaze.","og_url":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/","og_site_name":"Modern Art Oxford","article_published_time":"2024-11-28T16:40:46+00:00","article_modified_time":"2024-11-28T16:52:54+00:00","og_image":[{"width":1080,"height":1080,"url":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1.png","type":"image\/png"}],"author":"Ione Rail","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Ione Rail","Estimated reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/#article","isPartOf":{"@id":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/"},"author":{"name":"Ione Rail","@id":"https:\/\/www.modernartoxford.org.uk\/cms\/#\/schema\/person\/60407e6edd3bcf8ac03d51b29d4d4d17"},"headline":"A Look Closer: How Belkis Ay\u00f3n uses Gaze","datePublished":"2024-11-28T16:40:46+00:00","dateModified":"2024-11-28T16:52:54+00:00","mainEntityOfPage":{"@id":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/"},"wordCount":209,"commentCount":0,"image":{"@id":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/#primaryimage"},"thumbnailUrl":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1.png","keywords":["artist","feminism","research"],"articleSection":["Belkis Ay\u00f3n"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/","url":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/","name":"A Look Closer: How Belkis Ay\u00f3n uses Gaze - Modern Art Oxford","isPartOf":{"@id":"https:\/\/www.modernartoxford.org.uk\/cms\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/#primaryimage"},"image":{"@id":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/#primaryimage"},"thumbnailUrl":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1.png","datePublished":"2024-11-28T16:40:46+00:00","dateModified":"2024-11-28T16:52:54+00:00","author":{"@id":"https:\/\/www.modernartoxford.org.uk\/cms\/#\/schema\/person\/60407e6edd3bcf8ac03d51b29d4d4d17"},"description":"In Belkis Ay\u00f3n\u2019s work, the eyes are the sole facial features depicted. Discover how through her watchful figures, Ay\u00f3n redefines the gaze.","inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.modernartoxford.org.uk\/cms\/a-look-closer-ever-watchful-eyes\/#primaryimage","url":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1.png","contentUrl":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2024\/11\/1-1.png","width":1080,"height":1080,"caption":"A photo of a man in an art gallery looking at a collograph print by artist Belkis Ay\u00f3n. The print depicts a figure with no eyes or mouth staring directly into the camera. A snake is wrapped over the shoulder and a fish is floating above their head."},{"@type":"WebSite","@id":"https:\/\/www.modernartoxford.org.uk\/cms\/#website","url":"https:\/\/www.modernartoxford.org.uk\/cms\/","name":"Modern Art Oxford","description":"Just another WordPress site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.modernartoxford.org.uk\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Person","@id":"https:\/\/www.modernartoxford.org.uk\/cms\/#\/schema\/person\/60407e6edd3bcf8ac03d51b29d4d4d17","name":"Ione Rail","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/333e187a78154cfac0c3ef3095a9500dfeb0823143cf259b28816a6fd00d7117?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/333e187a78154cfac0c3ef3095a9500dfeb0823143cf259b28816a6fd00d7117?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/333e187a78154cfac0c3ef3095a9500dfeb0823143cf259b28816a6fd00d7117?s=96&d=mm&r=g","caption":"Ione Rail"},"url":"https:\/\/www.modernartoxford.org.uk\/cms\/author\/ione-rail\/"}]}},"_links":{"self":[{"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/posts\/90906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/users\/305"}],"replies":[{"embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/comments?post=90906"}],"version-history":[{"count":3,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/posts\/90906\/revisions"}],"predecessor-version":[{"id":90913,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/posts\/90906\/revisions\/90913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/media\/90907"}],"wp:attachment":[{"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/media?parent=90906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/categories?post=90906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.modernartoxford.org.uk\/cms\/wp-json\/wp\/v2\/tags?post=90906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}