{"id":91763,"date":"2025-06-02T15:55:16","date_gmt":"2025-06-02T14:55:16","guid":{"rendered":"https:\/\/www.modernartoxford.org.uk\/cms\/?p=91763"},"modified":"2025-06-27T16:30:06","modified_gmt":"2025-06-27T15:30:06","slug":"young-creative-alumni-mia-explores-movement-in-our-archive","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/young-creative-alumni-mia-explores-movement-in-our-archive\/","title":{"rendered":"Young Creative Alumna: Mia Explores Movement in our Archive"},"content":{"rendered":"\n<p>In April, I had the privilege of spending a month exploring Modern Art Oxford\u2019s extensive archive, delving into the gallery\u2019s history and learning about the wide range of events that the gallery has facilitated since it opened in late 1966. It was particularly exciting to research things that relate to Modern Art Oxford\u2019s current summer exhibition, <em>Movements for Staying Alive, <\/em>some of which I have explored below.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"712\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/1966-space-place-1-1024x712.jpeg\" alt=\"\" class=\"wp-image-91893 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/1966-space-place-1-1024x712.jpeg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/1966-space-place-1-300x209.jpeg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/1966-space-place-1-768x534.jpeg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/1966-space-place-1-1536x1068.jpeg 1536w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/1966-space-place-1-1323x920.jpeg 1323w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/1966-space-place-1-1568x1090.jpeg 1568w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/1966-space-place-1.jpeg 1998w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/712;\" \/><\/figure>\n\n\n\n<p>When Modern Art Oxford opened with the intention to house England\u2019s first collection of Modern Art, the reclaimed brewery, (initially a temporary location), quickly became an alternative space for experimental exhibitions. <em>Space-Place: Constructed Space Participation<\/em> was Modern Art Oxford\u2019s first self-generated exhibition. Much like the current exhibition, <em>Movements for Staying Alive<\/em> in 2025, <em>Space-Place&#8217;s<\/em> main intention was to incite further creativity, movement and noise. The gallery was filled with Maurice Agis and Peter Jones\u2019 geometric constructions in primary hues. Large squares and long poles intersected to create an immersive and inviting installation. A taped soundtrack of \u2018hoots and booms\u2019 complimented the visual experience. Expressive mime and dance were strongly encouraged within the space. Children (and adults!) ran freely about, though unlike Movements for Staying Alive, the structures could not be played with due to unforeseen structural weakness. The exhibition witnessed a series of experimental artists and musicians including Yoko Ono, Adrian Mitchell and John Tilbury and a workshop where undergraduates spent the evening using spontaneous movement to explore their environment.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"702\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/MAO03SP-1024x702.jpg\" alt=\"\" class=\"wp-image-91894 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/MAO03SP-1024x702.jpg 1024w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/MAO03SP-300x206.jpg 300w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/MAO03SP-768x527.jpg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/MAO03SP-1536x1054.jpg 1536w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/MAO03SP-2048x1405.jpg 2048w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/MAO03SP-1341x920.jpg 1341w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/MAO03SP-1568x1075.jpg 1568w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/702;\" \/><\/figure>\n\n\n\n<p>During the late 1980s, Modern Art Oxford was one of the few performance spaces open in Oxford and held one of the best dance floors, therefore the gallery hosted a particularly interesting series of experimental performances and workshops run alongside the gallery programme.\u00a0The <em>Dance\/Sculpture<\/em> series, focused on the relationship between dance and visual arts. In November &#8211; December 1987, artists Gaby Blacker and Kate Blacker undertook a 12-day residency at Modern Art Oxford directing daily <em>Dance\/Sculpture<\/em> workshops based on the exhibition <em>Balla: The Futurist<\/em>. They worked with Balla\u2019s ideas, deconstructing the dynamics of movement and using an art historical approach to sculpture. Students from the Henry Box School in, Witney and Didcot Girls\u2019 School took part, as well as a group of physically disabled people from the Courtyard Day Centre, Bicester. The artists also ran an In-Service Training Day for teachers, a seminar with local dancers and artists, and a public performance at the gallery at the end of the residency focussed on Ballas\u2019 visual formulations of light, noise, speed and cosmic movement.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"908\" height=\"1024\" data-src=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/Balla-Henry-Box-School-908x1024.jpeg\" alt=\"\" class=\"wp-image-91895 lazyload\" data-srcset=\"https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/Balla-Henry-Box-School-908x1024.jpeg 908w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/Balla-Henry-Box-School-266x300.jpeg 266w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/Balla-Henry-Box-School-768x866.jpeg 768w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/Balla-Henry-Box-School-1362x1536.jpeg 1362w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/Balla-Henry-Box-School-1816x2048.jpeg 1816w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/Balla-Henry-Box-School-816x920.jpeg 816w, https:\/\/www.modernartoxford.org.uk\/cms\/wp-content\/uploads\/2025\/06\/Balla-Henry-Box-School-1568x1768.jpeg 1568w\" data-sizes=\"(max-width: 908px) 100vw, 908px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 908px; --smush-placeholder-aspect-ratio: 908\/1024;\" \/><\/figure>\n\n\n\n<p>During my time at Modern Art Oxford I had the pleasure of meeting Cecilia Macfarlane who collaborated many times with Alan Franklin at Modern Art Oxford. We had a wonderful conversation about her experiences at MAO including <em>Second Time Around<\/em>, in March of 1989. Together, the artists undertook a 15-day residency in the gallery to explore the collaboration between dance and sculpture, pushing the boundaries to consider the prescriptive definitions of sculpture and dance. During the residency, a one-day workshop was held, with participants ranging in age from 14-65. Cecilia told me that each participant chose a piece of fabric or an item of clothing to use both asin a sculptural form and as a device for movement. The workshop demonstrated the exciting range of approaches for creative practice and the potential for the collaboration of the visual arts and dance.<\/p>\n\n\n\n<p><strong>Mia Annesen-Wood<\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>During the late 1980s, Modern Art Oxford was one of the few performance spaces open in Oxford and held one of the best dance floors, therefore the gallery hosted a particularly interesting series of experimental performances and workshops run alongside the gallery programme.\u00a0<\/p>\n","protected":false},"author":305,"featured_media":91894,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[323,207],"tags":[325,248],"class_list":["post-91763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movements-for-staying-alive","category-the-archive-2","tag-archive","tag-research","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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