{"id":92448,"date":"2025-10-06T15:22:43","date_gmt":"2025-10-06T14:22:43","guid":{"rendered":"https:\/\/www.modernartoxford.org.uk\/cms\/?p=92448"},"modified":"2025-10-06T15:22:44","modified_gmt":"2025-10-06T14:22:44","slug":"reading-list-this-is-really-happening","status":"publish","type":"post","link":"https:\/\/www.modernartoxford.org.uk\/cms\/reading-list-this-is-really-happening\/","title":{"rendered":"Reading List: This is Really Happening"},"content":{"rendered":"\n<p>Discover the text and videos that have shaped our Platform Graduate Award artists&#8217; approach. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bront\u00e8 Wyse<\/h2>\n\n\n\n<p><strong>Viewing List<\/strong><\/p>\n\n\n\n<p>Alfred Hitchcock, <em><a href=\"https:\/\/www.amazon.co.uk\/gp\/video\/detail\/amzn1.dv.gti.b8a9f7ac-59e0-e025-f524- 31e01cfd0cb1?autoplay=0&amp;ref_=atv_cf_strg_wb\">Rear Window<\/a><\/em>, 1954.<br><br>Theo Anthony, <em><a href=\"https:\/\/www.amazon.co.uk\/gp\/video\/detail\/amzn1.dv.gti.0cb0f93f-ca84-9aed-899f- cf7312ddbfd3?autoplay=0&amp;ref_=atv_cf_strg_wb\">Rat film<\/a><\/em>, 2016.<br><br>Jill Magid, <em><a href=\"https:\/\/www.jillmagid.com\/projects\/evidence-locker-2\">Evidence Locker, <\/a><\/em><a href=\"https:\/\/www.jillmagid.com\/projects\/evidence-locker-2\">2004<\/a>.<\/p>\n\n\n\n<p>John Smith, <em><a href=\"https:\/\/vimeo.com\/austerlitzfilmgallery\/gum?share=copy\">The Girl Chewing Gum<\/a><\/em>, 1976.<\/p>\n\n\n\n<p><strong>Reading List<\/strong><\/p>\n\n\n\n<p>Donna Haraway, <em><a href=\"https:\/\/blackwells.co.uk\/bookshop\/product\/9780816650460?gC=5a105e8b&amp;gad_sou rce=1&amp;gad_campaignid=20226739100&amp;gbraid=0AAAAADsTpATqIExnWVTc6QIcHq 1sPjGqh&amp;gclid=Cj0KCQjwtMHEBhC-ARIsABua5iR7gz_VQK02HMWYBTUzOAU3jl- SZfUsuU4Uc8AIOGbq8kdAszLO9BUaAqCjEALw_wcB\">When Species meet<\/a><\/em>, 2007.<br><br>James Bridle, <em><a href=\"https:\/\/blackwells.co.uk\/bookshop\/product\/9780141994260?gC=5a105e8b&amp;gad_sou rce=1&amp;gad_campaignid=20226739100&amp;gbraid=0AAAAADsTpATqIExnWVTc6QIcHq 1sPjGqh&amp;gclid=Cj0KCQjwtMHEBhC- ARIsABua5iQXNm_2NKhJ3UD_X2h6Zbfnv3ReqzTPWwJOoszF_qeWX6Tw1CYJKa 0aAokXEALw_wcB\">Ways of being, Animals, Plants, Machines: The Search for a Planetary Intelligence<\/a><\/em>, 2022.<br><br>Michel Foucault, <em><a href=\"https:\/\/www.amazon.co.uk\/Discipline-Punish-Prison-Penguin- Sciences\/dp\/014013722X\">Discipline and Punish: The birth of prison<\/a><\/em>, 1991.<br><br>Tom Mustill, <em><a href=\"https:\/\/blackwells.co.uk\/bookshop\/product\/9780008363420?gC=5a105e8b&amp;gad_sou rce=1&amp;gad_campaignid=20226739100&amp;gbraid=0AAAAADsTpATqIExnWVTc6QIcHq 1sPjGqh&amp;gclid=Cj0KCQjwtMHEBhC-ARIsABua5iSFTVFFMlzrKS9SzzGAFA- Guj1D4WUPVNpSYdgGJSet72GtY_SzwvUaAl8HEALw_wcB\">How to Speak Whale: A Voyage into the Future of Animal Communication<\/a><\/em>, 2022.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sofia Pantsjoha<\/h2>\n\n\n\n<p><strong>Viewing List<\/strong><\/p>\n\n\n\n<p>Agnes Varda, <em>The Gleaners and I (Les Glaneurs et La Glaneuse), <\/em>Cine-Tamaris, 2000.<\/p>\n\n\n\n<p><strong>Reading List<\/strong><\/p>\n\n\n\n<p>Susanna Clarke, <em>Piranesi<\/em>, Bloomsbury Publishing, 2020.<\/p>\n\n\n\n<p>Philip K. Dick, <em>Do Androids Dream of Electric Sheep?<\/em>, Mariner Books, 1968.<\/p>\n\n\n\n<p>Daphne Dragona, <a href=\"https:\/\/springerin.at\/2022\/3\/degrowth-und- die-kunst\/.\"><em>\u201cDegrowth and The Arts,\u201d<\/em><\/a> n.d. <\/p>\n\n\n\n<p>Jack Halberstam, <em>The Queer Art of Failure<\/em>, Duke University Press Books, 2011.<\/p>\n\n\n\n<p>Donna J. Haraway, <em>Staying with the Trouble: Making Kin in the Chthulucene<\/em>, Duke University Press, 2016.<\/p>\n\n\n\n<p>Katharine A. Harmon and Gayle Clemans, <em>The Map as Art: Contemporary Artists Explore Cartography<\/em>, Princeton Architectural Press, 2009.<\/p>\n\n\n\n<p>Ursula K. LeGuin, <em>The Carrier Bag Theory of Fiction<\/em>, St Martin&#8217;s, 1988.<\/p>\n\n\n\n<p>Michael Marder (ed. Tom Jeffreys), <em>Walking among Plants<\/em>, in <em>Walking<\/em>, MIT Press, 2024.<\/p>\n\n\n\n<p>Timothy Morton, <em>Ecology Without Nature: Rethinking Environmental Aesthetics<\/em>, Harvard University Press, 2009.<\/p>\n\n\n\n<p>Hannah Ritchie, <em>Not The End of the World: How We Can Be the First Generation to Build a Sustainable Planet<\/em>, Vintage Books, 2024.<\/p>\n\n\n\n<p>Scott Cutler Shershow, <em>Bread<\/em>, Bloomsbury Publishing USA, 2016.<\/p>\n\n\n\n<p>Robert Smithson, <em>Robert Smithson: The Collected Writings<\/em>, University of California Press, 1996.<\/p>\n\n\n\n<p>Anna Lowenhaput Tsing, <em>The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins<\/em>, Princeton University Press, 2015.<\/p>\n\n\n\n<p>Nick Walker, <em>Neuroqueer Heresies: Notes on the Neurodiversity Paradigm, Autistic Empowerment, and Postnormal Possibilities<\/em>, Autonomous Press, 2021.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Discover the text and videos that have shaped our Platform Graduate Award artists&#8217; approach.<\/p>\n","protected":false},"author":360,"featured_media":92236,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[152,234],"tags":[],"class_list":["post-92448","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-platform-graduate-award","category-reading-list","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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