Monday
Closed
Tuesday
10am - 5pm
Wednesday
10am - 5pm
Thursday
10am - 5pm
Friday
10am - 5pm
Saturday
10am - 5pm
Sunday
12pm - 5pm

Tuesday - Saturday, 10am-5pm
Sunday, 12pm - 5pm.
The gallery and cafe are closed on Mondays.

Closed Today
Monday
Closed
Tuesday
10am - 5pm
Wednesday
10am - 5pm
Thursday
10am - 5pm
Friday
10am - 5pm
Saturday
10am - 5pm
Sunday
12pm - 5pm

Tuesday - Saturday, 10am-5pm
Sunday, 12pm - 5pm.
The gallery and cafe are closed on Mondays.

Loading Events

Intimate, powerful and sometimes deliberately uncomfortable, Claudette Johnson’s studies of black men and women demand attention and command respect. This show is an overview of one of the most accomplished figurative artists working in Britain today, and the first major institutional solo exhibition since 1990 of London-based artist Claudette Johnson (born 1959, Manchester).

Johnson asserts, “I do believe that the fiction of ‘blackness’ that is the legacy of colonialism, can be interrupted by an encounter with the stories that we have to tell about ourselves”. To this end, her art sets out to redress negative portrayals of black men and women and to counter the invisibility of black people in cultural spheres and beyond. “I’m interested in our humanity, our feelings and our politics; some things which have been neglected” the artist explains.

Her large-scale drawings exude confidence and freedom. They are free of many of the constraints associated with traditional notions of portraiture, in that her subjects are rarely accompanied by objects tying them to a specific history or life. Johnson’s figures feel present and the people she depicts poignantly defy objectification.

Johnson’s figures also appear free of spatial constraints. Drawn on immense sheets of paper, and larger-than-life her subjects push beyond the boundaries of the spaces they inhabit. They seem to enter the room alongside the viewer, filling it with character and presence.

Johnson began her career in the early 1980s when she joined the newly formed BLK Art Group. Comprised of black British art students, including Keith Piper, Donald Rodney and Marlene Smith, the group produced revolutionary work with a strong political and social focus. Johnson remains driven by a sense of urgency “about our apparent absence in a space we’ve inhabited for several centuries”. This exhibition brings together works from the 80s to recent and new works, providing a unique opportunity to experience her strong and commanding body of work.

Claudette Johnson

Recent exhibitions include Claudette Johnson, Hollybush Gardens, London (2017); No Colour Bar: Black British Art in Action 1960-1990, Guildhall Art Gallery, London (2015-16); Thin Black Line(s), Tate Britain (2012). Other previous exhibitions included Transforming the Crown: African, Asian and Caribbean Artists in Britain 1966-1986, Royal Festival Hall, London, and The Caribbean Cultural Centre, The Studio Museum in Harlem and the Bronx Museum of the Arts, New York (1997); In This Skin: Drawings by Claudette Johnson, Black Art Gallery, London (1992); The Image Employed: The Use of Narrative in Black Art, Cornerhouse, Manchester (1987); The Thin Black Line, Institute of Contemporary Arts, London (1986); Into the Open: New Paintings, Prints and Sculptures by Black Contemporary Artists, Mappin Art Gallery, Sheffield (1984); Black Women Time Now, Battersea Arts Centre, London (1983); Five Black Women Artists, Africa Centre, London (1983). Johnson’s work is also in the collections of Tate, The Rugby Art Gallery, Mappin Art Gallery, Manchester Art Gallery, Wolverhampton Art Gallery and Arts Council England.

Reviews

Responses

Amazing exhibition. Always takes me out of my comfort zone. Modern Art Oxford curation is always so informative but unobtrusive too. Great to have it in Oxford.

— Visitor comment

Loved your I Came To Dance exhibit. Thank you for supporting artists of colour.

— Visitor comment

Claudette Johnson exhibition was phenomenal

— Visitor comment

Such powerful works! Used to show her work to my students to discuss black feminism, inequalities and identity. So happy to see her work in real life.

— Visitor comment