Monday
Closed
Tuesday
10am - 5pm
Wednesday
10am - 5pm
Thursday
10am - 5pm
Friday
10am - 5pm
Saturday
10am - 5pm
Sunday
12pm - 5pm

Tuesday - Saturday, 10am-5pm
Sunday, 12pm - 5pm.
The gallery and cafe are closed on Mondays.

Closed Today
Monday
Closed
Tuesday
10am - 5pm
Wednesday
10am - 5pm
Thursday
10am - 5pm
Friday
10am - 5pm
Saturday
10am - 5pm
Sunday
12pm - 5pm

Tuesday - Saturday, 10am-5pm
Sunday, 12pm - 5pm.
The gallery and cafe are closed on Mondays.

Loading Events

For a new commission by Swiss artist Nicolas Party (b. 1980, Lausanne, lives and works in Brussels and New York), the Piper Gallery is taken over by a theatrical cast of female heads representing and acknowledging the achievements of pioneering women in the city of Oxford.

The work is in response to what the artist considers to be the heavily masculine energy of Oxford’s architecture and academic histories.

Considering his exhibition as a public forum, the artist celebrates working collaboratively and embraces the collective spirit of the theatre. Speakers incorporates a soundscape of piano, cello and voice arrangements, offering up improvised auditory encounters for visitors.

Throughout the exhibition there is a series of public events taking place within the gallery recognising and celebrating the wide-ranging history of women’s contributions to academic life and social and research communities.

From Tuesday 30 January to Sunday 4 February a new immersive soundscape will be played in the gallery created by EMPRES, Oxford University Music Faculty’s electronic music collective. It features recordings of female voices from across the city, woven with fragments of sound and musical textures, including Mary Beard, Susan Wollenberg, the Hurst St Press and Jackdaws FC.

Nicolas Party

Born in Lausanne, Switzerland in 1980, he completed a BA in Fine Art at the Lausanne School of Art before undertaking an MA at The Glasgow School of Art, graduating in 2009. Both a classically trained painter and former graffiti artist, he has developed a signature aesthetic of saturated colour and flat, graphic style which is instantly recognisable.
 
Party’s solo exhibitions include 
Dinner for Sheep, The Arnold and Marie Schwartz Gallery, Metropolitan Opera, New York (2017), Sunrise, Sunset, at Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2017); Nicolas Party in the Garden Room, at Palazzo Antinori, Florence (2016); Hammer Projects: Nicolas Party, at Hammer Museum, Los Angeles (2016); Pathway at Dallas Museum of Art, Dallas (2016); Cimaise, CAN: Centre d’art Neuchâtel, at Neuchâtel (2016) and Boys and Pastel, at Inverleith House, Edinburgh (2015). Nicolas Party lives and works in Brussels and New York. 

Supported by